 From
1966 until his departure for America in 1975, singer,
songwriter, keyboard player and producer Brian Cadd was
one of the most prominent musicians on the local scene.
He remains a key figure in the history of Australian music;
one glance at his extensive discography will indicate
his prolific musical output, and he has been active in
many other areas of the industry throughout his long and
successful career.
Brian was born 1946 and raised in Perth, W.A. At the age
of ten, his parents gave him the choice between tennis
lessons or piano lessons -- obviously he chose the latter.
At twelve he entered a TV talent quest, from which he
was offered the job as pianist in a junior band on a local
children's TV show. After that, Brian worked in his cousin's
club band, and in a pop group formed with school friends.
After leaving W.A in the early ‘60s the Cadd family
moved to Tasmania and eventually settled in Melbourne,
just as Beatlemania swept the country. This, combined
with Brian’s interest in piano, opened the way to
his future career. Brian's earliest musical ventures in
Melbourne were the Beale Street Jazz Band and The Castaways.
In 1965, The Castaways mutated into the R&B band The
Jackson Kings consisting of Brian, Carl Bennett (vocals),
Chas Brown (guitar), Ray Neville (bass) and Bill Turgeon
(drums). Singer Ronnie Charles joined towards the end
of the band's life. The Jackson Kings recorded two singles
for CBS, Watch Your Step/Come On Now (February 1966) and
Watermelon Man/Lawdy Miss Clawdy (April 1966).
From The Jackson Kings, Brian went on to two of the most
celebrated bands of their day, The Groop and Axiom. The
careers of both these outstanding groups are covered in
detail on dedicated pages on MILESAGO.
The Groop 1966-69
In October 1966, Brian and Ronnie joined guitarist Don
Mudie, bassist Max Ross and drummer Richard Wright to
form the second and best-known incarnation of The Groop
(1966-69). By this time Brian had become close friends
with Ian “Molly” Meldrum. (It was he who suggested
that Brian change his surname to “Caine” when
the joined The Groop, but when his family objected, he
soon changed it back). The Groop enjoyed considerable
success during their short career, including three hit
singles and first place in the 1967 Hoadley’s National
Battle Of The Sounds. Their success and public profile
were greatly enhanced by Brian's friendship with Ian Meldrum,
and once he became a staff writer there in 1967 he regularly
championed The Groop in the pages of Go-Set.
Besides writing or co-writing The Groop's original material,
Brian also began getting his songs covered by other artists.
No doubt via the Meldrum connection (Ian and Ronnie were
childhood friends) Brian wrote and produced Ronnie Burns'
1967 single When I Was Only Six Years Old, which was later
covered in the UK by former Manfred Mann vocalist Paul
Jones with some success. Brian also wrote the late ‘67
hit Elevator Driver for The Master's Apprentices. At that
time the Masters’ career had been thrown into disarray
by the sudden and unexpected departure of songwriter Mick
Bower. As an interim measure they covered one of Brian’s
songs, Silver People, which they rearranged, retitled
and issued as the follow-up single to their national hit
Living In A Child's Dream, and this provided them with
a vital "stopgap" hit while the Masters regrouped.
In 1969, near the end of their career, The Groop also
contributed (uncredited) to the backing tracks for Russell
Morris’ first two solo singles, the phenomenally
successful The Real Thing and its follow-up Part III Into
Paper Walls. When The Groop split suddenly in late 1969
(to the consternation of many) Brian went straight on
to his next project.
Axiom 1969-71
Brian and Don had formed a strong writing partnership
and after the demise of The Groop they put together what
is generally considered Australia’s first supergroup:
Axiom. The rest of the all-star line-up consisted of former
Twilights lead singer Glenn Shorrock, Valentines drummer
Doug Lavery (later replaced by Don Lebler) and Cam-Pact
singer-guitarist Chris Stockley. Much of their work exhibited
the influence of The Band, whose first two albums had
cast their spell on so many musicians, including George
Harrison and Eric Clapton. Don and Brian co-wrote all
their original material, including the hit singles Arkansas
Grass, A Little Ray of Sunshine and My Baby's Gone, and
the band recorded two very fine LPs, Fool’s Gold
(Fable, 1969) and If Only (Warner-Reprise, 1971), the
latter recorded in Los Angeles and produced by the legendary
Shel Talmy.
The Bootleg years 1971-75
After the break-up of Axiom in March 1971, Brian and Don
returned to Australia but they continued working together.
Brian’s return marked the start of a whirlwind of
recording, writing and production and touring. He also
worked behind the scenes in the music business, getting
into publishing and management. He co-owned a booking
agency and became the youngest ever Director on the Board
of APRA, the Australian Performing Rights Society.
One of Brian’s first major projects on his return
to Australia was with for his old mate Russell Morris.
Russell and Brian had known each other since the mid-60s
-- Russell’s band Somebody’s Image got their
first break supporting The Groop. Russell had been working
on a solo album with EMI house producer Howard Gable,
which had been scrapped because of differences between
Russell and Howard over the direction of the music. Brian
was (pardon the pun) instrumental in helping Russell to
get the faltering project back on the rails and his contribution
cannot be underestimated. He assembled the crack team
of musicians who realised Russell’s splendid batch
of new songs for the album. This studio lineup comprised
a "Who’s Who" of OzRock heavyweights:
Barry Sullivan and Barry Harvey (the "Big Goose"
and "Little Goose" rhythm section from blues
stalwarts Chain), Mark Kennedy, Duncan McGuire, Billy
Green, Brian Holloway, Phil Manning, Matt Taylor, Peter
Jones, Marcia Jones, Zoot’s Beeb Birtles, Rick Springfield,
and of course, Brian himself on keyboards and backing
vocals. Issued in late 1971, the recordings were a major
commercial and critical success -- and a validation of
Brian and Russell’s faith in the music. The single
Sweet Sweet Love reached #7 and the album, Bloodstone
made #12, as well as earning considerable praise from
critics.
Brian began to establish his solo presence when he and
Don Mudie issued the duo single Show Me the Way, released
on Ron Tudor’s Fable Records in December 1971. It
was a very respectable success, reaching #17 in February
1972 and charting for 12 weeks. By this time, Brian had
become Fable’s A&R manager and chief producer,
and in this capacity went on to write, play on and produce
Robin Jolley's 1972 hit Marshall's Portable Music Machine
(a virtual Cadd solo single in all but name and lead vocal)
and Robin’s subsequent solo album. Brian also produced
Hans Poulsen’s second solo album Lost and Found,
Coming Home the Wrong Way Round (1972), the album 1972
AD for Frieze (Beeb Birtles and Daryl Cotton) and he produced
and contributed to albums and singles for Stephen Foster,
Fat Mamma, The Strangers, New Dream, Dutch Tilders, Bluestone,
Kerrie Biddell and Daryl Somers.
Brian’s first fully solo recordings were Sure Feels
Good, Making It on Your Own and Come With Me and these
appeared on the soundtrack album of Albie Falzon’s
classic surf film Morning of the Earth (Warner, May 1972)
alongside tracks by Hannagan, Tamam Shud and G. Wayne
Thomas.
In mid-1972 Ron Tudor and Brian set up Fable’s new
imprint Bootleg, which was launched in September. Brian
had been inspired by the example of Leon Russell's Shelter
label, and the way that keyboardist/producer/arranger
Russell (a former member of crack L.A. session team The
Wrecking Crew) had organised a group of regular players
around him for projects like Joe Cocker’s Mad Dogs
& Englishmen. In similar wise, Brian envisaged putting
together a regular Bootleg house band to back himself
and all the other artists on the label, who he would also
produce, for recording and touring. At the time, this
included singer/songwriter Stephen Foster, jazz vocalist
Kerrie Biddell, and the harmony-pop group Mississippi.
Bootleg quickly became the most successful independent
record label in the history of Australian popular music,
and it was rivalled in the long term only by Michael Gudinski’s
Mushroom. Over the next few years Brian earned many gold
and platinum records as a solo artist and an swag of awards
for film scores, title songs and TV themes, produced many
other acts and wrote and produced some of Australia's
most successful advertising music.
Brian’s debut solo single Ginger Man (inspired by
the J.P. Donleavy novel) established him as a major solo
artist. It was a significant chart success, reaching #16
nationally on its release in October 1972 and charting
for 18 weeks. His self-titled debut album reached #2,
and spent 20 weeks on the album charts. Brian also won
the composer's section of the final 1972 Hoadley's National
Battle of the Sounds with one of the songs from the LP,
Don't You Know It's Magic. He performed it at the Tokyo
World Popular Song Festival, where he won the ‘Most
Outstanding Composition’ award, and John Farnham
recorded his own successful version in 1973.
In 1973 Brian began to fulfil his ideas for Bootleg by
putting together the Bootleg Family Band, and he sang
lead and played keyboards on their version of Loggins
& Messina’s Your Mama Don't Dance, which was
another major hit that year, reaching #4 and charting
for 17 weeks.
Brian’s second album Parabrahm reached #5 nationally,
and spawned a string of successful singles: Every Mother's
Son (March), Silver City Birthday Celebration Day (July)
and Keep on Rockin' (October). The next single Alvin Purple
(November) was of course the theme song from Tim Burstall's
feature film of the same name. Brian wrote the score for
both ALVIN PURPLE (1973), and its sequel ALVIN RIDES AGAIN
(1975).
Bootleg issued the Brian Cadd EP, collecting the four
hit A-sides Ginger Man, Show Me the Way, Every Mother's
Son and Silver City Birthday Celebration Day. There were
more hits through 1974 – the LP Moonshine (#16 in
September), and the singles Class Of '74 (April) (the
theme song from the TV series of the same name), Let Go
(#14 in September) and Boogie Queen (December). By this
time Brian had signed an American distribution deal and
both Parabrahm and Moonshine came out on Chelsea Records
in the USA.
Brian toured the USA with The Bootleg Family Band, and
became the first Australian artist to perform on the American
television shows MIDNIGHT SPECIAL and DON KIRSHNER'S ROCK
CONCERT. 1975 saw the Australian release of the single
Gimme Good Lovin' (recorded in the USA) and the compilation
The Magic of Brian Cadd.
After signing a new deal with the Interfusion label, Brian
moved to Los Angeles, and over the next 15 years he worked
variously in the U.S., Europe and Australia as an artist
and producer as well as writing material for other performers.
Interfusion issued the albums White on White and Yesterdaydreams,
plus the singles White On White, Longest Night (1976),
Yesterdaydreams (October 1978), Skating on Thin Ice (April
1979) and Very Very Long Time (May 1980).
Brian’s songs have been covered by many prominent
acts, notably the Pointer Sisters (Love is Like a Rolling
Stone, which was picked as the b-side for their massive
worldwide hit Fire), Gene Pitney (Let Go), Joe Cocker,
Ringo Starr, Bonnie Tyler, Yvonne Elliman, Charlie Daniels,
Glen Campbell, The Little River Band, The Flying Burrito
Brothers, Dobie Gray, Johnny Halliday, Sylvie Vartan,
Cilla Black, Trini Lopez, Wayne Newton, Paul Jones and
many others. He also returned to soundtracks, scoring
the American films HOMEMOVIES (1982), FATAL VISION and
VAMPIRES AT DEATH BEACH (1987), and the last instalment
of George Romero's cult zombie trilogy RETURN OF THE LIVING
DEAD (1988).
Mushroom issued a one-off single, My Baby (Loves To Hurt
Me) in September 1982, and in 1983 Brian returned to Australia
for a two-year period where he ran Graffiti Records for
the Polygram Group. Brian set up his production company
Shameless Productions, then issued an album and two singles,
Land of the Video (March 1985) and Still Hurting Me (June
1985) on Graffiti.
In 1985 Brian secured the rights to a song called Turn
Up the Beat and produced it as the first solo single for
the young Tina Arena, who was then just beginning her
career as a solo artist after her ‘Young Talent
Time’ days. The single did not chart and a planned
solo album was scrapped. It formed an important connection,
though -- the composers of that song are the same team
who years later wrote Tina’s international smash
hit Chains. In 1986 Brian composed the theme for the successful
Australian TV game show BLIND DATE, and over the years
he has written jingles for many successful advertising
campaigns including Tooheys, Fosters, Swan and XXXX beer,
QANTAS, Pioneer audio, Eastcoast jeans and Tourism Tasmania.
He also composed ID jingles for the radio stations 3XY,
5KA, 2HA, 2BA and 2SM, and in 1989 scored the "Morning
Zoo" program on Radio WNEW in New York.
In 1992, Brian reunited with his old Axiom buddy Glenn
Shorrock to record an album for EMI, which was released
early in 1993. They spent much of the next two years touring
Australia and South East Asia to support the Blazing Salads
album and its three singles, When It All Comes Down, De-Emphasize
and a new version of Little Ray of Sunshine. Their backing
band included Rex Goh (guitar; ex-Air Supply, CLUB BUGGERY
band), Kirk Lorange (guitar, ex-Richard Clapton Band)
and Mark Kennedy (drums, ex-Spectrum, Ayers Rock, Marcia
Hines Band). The album was subsequently released throughout
Europe.
In 1991 Brian was invited to join veteran US country-rock
band The Flying Burrito Brothers. Although no longer containing
any of the original members, the “new” Burritos
carried on that classic West Coast country-rock tradition
with members John Beland, Gib Guilbeau and Larry Patton;
Brian has toured with them for a number of years and he
played and sang on the Eye of the Hurricane album (1994)
which came out on American label One Way. In 1993 he returned
to soundtracks and wrote the score for the very hit Australian
film THE HEARTBREAK KID which launched the career of Alex
Dimitriades (and which was later spun off into the successful
TV series HEARTBREAK HIGH). Early in 1995 he produced
the very first Chinese Country album, actually recorded
in Mainland China. The Flying Burrito Brothers issued
a new album, Honky Tonkin’, in Australia on Cadd’s
Streetwise label (the US title was Sons of the Golden
West) in December 1999 and he toured with them through
Australia in January 2000.
Now based back in Australia, on the Gold Coast, Brian
still performs and tours regularly, and has been active
in teaching and lecturing on songwriting, in music publishing
and other various aspects of the industry in Australia
and the U.S. In 1997, he built the state-of-the-art recording
studio Ginger Man Sound on Queensland’s Gold Coast.
In March 1998 he took over as CEO of The Streetwise Music
Group in Brisbane, eventually becoming a co-owner. The
company, which is distributed through Warner Music, now
has some 20 acts spread over 3 labels (Streetwise, Stallion
and Belly Laugh).
Brian is currently the Chairman of the Australian Music
Industry Advisory Council and President of the Australian
Music Foundation. He has also recently joined the online
music education provider musicIT as an international consultant.
On the recording front, he issued the album Live at Crown
in November 1998 on Stallion Records, and has recently
released the compilation, Brian Cadd: The Singles, a comprehensive
collection of his classic material, digitally remastered,
and including some rare tracks like Angry Words, Brian’s
own version of the song he originally wrote for Glenn
Shorrock.
Discography
Acknowldegments to the
Brian Cadd website for this information |
ALBUMS
Only recordings
featuring Brian are listed |
SINGLES
Jackson Kings
2/1966 Watch Your Step/Come On Now CBS BA 221263
4/66 Watermelon Man/ Lawdy Miss Clawdy CBS BA 221287
1966
The
Groop
2/67 Sorry/Who Do You Love CBS BA 221356
6/67 Woman You're Breaking Me/ Mad Over You CBS
BA 221406 67/06
11/67 Seems More Important/ Annabelle Lee CBS BA
221457 67/11
?/68 Lovin' Tree/Nite Life CBS BA 221485
1/69 Such A Lovely Way/We Can Talk CBS BA 221583
5/69 You Gotta Live Love/ Sally's Mine CBS BA 221640
Mandrake Wine (flexi) From the Vault magazine #
1989
?/68 The Groop Plays Lilydale Cider promo single
Axiom
Arkansas Grass/ Samantha Parlophone A 8909 69/12
Little Ray Of Sunshine/ Fords Bridge Parlophone
A 9070 70/04
Father Confessor/ Time & Time Again Warner Bros
6134 1970
My Baby's Gone/ Hold The Phone Warner Bros 8021
71/01
Fools Gold/ Yesterday, Today & Tomorrow Parlophone
A 9421 71/04
Brian
Cadd and Don Mudie
Show Me The Way/ Rolling and Tumblin' Down [Fable
FB 091] 1971
Little Ray Of Sunshine/ Arkansas Grass [Fable FB
203] 74/02
The Bootleg Family
Your Mama Don't Dance/ Honky Tonk Women Bootleg
BL 155 1972
Wake Up Australia/Ballad Of Billy Glover Bootleg
BL 181 1972
Brian
Cadd solo
Ginger Man/ Fairweather Friend Bootleg BL 138 72/08
Every Mothers Son/ Pappy's Got The Blues Bootleg
BL 170 73/03
Keep On Rockin/ Handy Man Bootleg BL 197 73/10
Alvin Purple/ Sometime Man Bootleg BL 201 73/11
Class Of '74/ School Days Bootleg BL 214 74/04
Let Go/ Think It Over Bootleg BL 223 74/08
Boogie Queen/ All In The Way Bootleg BL 230 74/12
Gimme Good Lovin'/ Fire At Shepherd's Flat [Bootleg
BL 249] 75/05
White
On White El Dorado/Longest Night Interfusion K 6616
1976
Yesterday Dreams/1000 Different Ways Interfusion
K 7195 78/10
Skating On Thin Ice/ Ol' 55 Interfusion K 7390 79/04
Very Very Very Long Time/ Move Me Interfusion K
7708 80/05 My
Baby (Loves To Hurt Me) / For The Love Of A Woman
Mushroom K 8904 82/09
Land Of The Video /Real
To Me (pic sleeve) Graffiti 880283 85/03
Still Hurting Me/ Writing's On The Wall Graffiti
884060 85/06
Blazing Salads
(all CD singles)
When it All Comes Down, Blazing Salad Cream, Love
Drives a Hard Bargain EMI 8740192 1993
Little Ray of Sunshine, Life of Brian EMI na 93/07
De Emphasise, When the Words Come EMI na 1993
Radio Special (interview CD, promo) EMI CORP 273
1994
EPs
The Groop
Woman You're Breaking Me CBS BG 225162 1966
Woman You're Breaking Me, Mad Over You/ Down Town
Women, Sorry
Such A Lovely Way CBS BG 225205 1968
Such A Lovely Way, We Can Talk/ Night Life, Lovin'
Tree
Raven EP Raven RV 07 1974
Woman You're Breaking Me, Sorry, Mad Over You/
Such A Lovely Way, Who Do You Love
Axiom
The Axiom Hits Warner Bros WBE 201 1969
Father Confessor, Little Ray of Sunshine / My
Baby's Gone, Time & Time Again
Brian Cadd
[Self titled] Bootleg BLEP 188 73/08
Ginger Man, Show Me The Way/ Every Mothers Son,
Silver City Birthday Celebration Day
Brian appears on
the following recordings:
- 1969 Russell Morris
Single The Real Thing
- 1971 Russell Morris
LP Bloodstone
- 1972 Russell Morris
Single Live With Friends
- 1972 Mississippi LP
Self titled
- Franciscus Henri LP
Gabriel's Highway
- 1972 Phil Ochs (USA)
Single recorded in Melbourne
- 1973 Hans Poulsen LP
Lost and Found
- 1974 Ted Blackall LP
Energetic Flesh
- 1975 Farmer John LP
Rabbit's Run
- 1979 Kim Carnes (USA)
LP Saint Vincent Court
- 1982 Glen Shorrock LP
Villain of the Peace
- 1986 B.J. McKay LP
- 1990 Angry Anderson
LP Blood From Stone
References & Links
- Brian Cadd website
- Ed Nimmervol’s
Howlspace website
- Ian McFarlane –
Encyclopedia of Australian Rock & Pop (1999)
- Noel McGrath –
Australian Encylopedia of Rock (1978)
- Chris Spencer &
Zbig Nowara - Who’s Who of Australian
Rock (1994)
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The Groop
Woman You're Breaking Me CBS BP233460 1967
Baby Blue, Downtown Women, Good Time Baby, Happy
With a Love Like Yours,
I Just Don't Know What to Do With Myself, I'll
Be Damned, Mad Over You,
Reach for the Sun, Sorry, Thinking About the Things,
Turn On Your Lovelight,
Woman You're Breaking Me
Great Hits From the Groop
* Music For Pleasure MFP 8132 1977
Best of the Rest * CBS 463480 1989
Annabelle Lee, Baby Blue, Empty Words, Happy With
a Love Like Yours,
I'm Satisfied, Little Man, Mad Over You, Night
Life, Sally's Mine, Seems More
Important to Me, Sorry, Such a Lovely Way, Thinkin'
'Bout the Things,
We Can Talk, Who Do You Love, Woman You're Breaking
Me, You Gotta Live Love
Axiom
Fool's Gold Parlophone PCSO 561 1970
Arkansas Grass, Baby Bear, Can't Let Go Of This
Feeling, Country Pickin',
Fool's Gold, Ford's Bridge, Little Ray of Sunshine,
Mansfield Hotel, Once a
Month Country Race Day, Samantha, Take it or Leave
It, Who Am I Gonna See,
Yesterday, Today & Tomorrow
If Only… Warner WS
3009 1971
Father Confessor, Georgia By Morning, Hold The
Phone, A Little Ray of
Sunshine, Longest Day, Matter of Time, My Baby's
Gone, Sailing Ships,
Talking About It, Time & Time Again
Brian Cadd
Brian Cadd [Bootleg BLA023] 1972
Self titled (re-issue with extra track, different
cover) Axis AX 701487 1982
Self titled re-issued on CD Axis 701487 1992
Every Mother's Son, Fairweather Friend, Ginger
Man, Josie McGinty, Pappy's
Got The Blues, Silver City Birthday Celebration
Day, Suite For Life, Tell Me
About Freedom Again, Tell The World To Go Away,
Where The Music's Playing
Parabrahm [Bootleg BLA034]
1973
Give Me A Present, Handyman, Heroes, Keep on Rockin',
Kingston River
Travellin' Man, Little Old Country Lady, Matilda,
Riverboat Lady, Sweet
Little Country Lady, Too Young
Moonshine [Bootleg BLA044]
1974
All In The Way, Fire At Shepherd's Flat, I Need
Love, Let Go, Moonshine, Mr
Music, Rich Man, Song For Wendy, Spring Hill County
Breakdown, Sweet Rock
-n-roll, Think it Over
The Magic of Brian Cadd
(Best Of) Bootleg BLA047 1975
re-issue on CD EMI/AXIS na 1992
All In The Way, Alvin Purple, Class of '74, Every
Mothers Son, Ginger Man,
Handyman, Josie McGinty, Keep On Rockin', Kingston
River Travellin' Man, Let
Go, Show Me The Way, Silver City Birthday Celebration
Day, Sometime Man,
Springhill Country Breakdown, Think it Over
White on White Interfusion
L36074 1976
Included insert, re-issued on CD
All In The Way, Dance Dance Dance, Ginger Man,
Good Night Princess,
Heavenly Night In September, I Can't Stand It,
Longest Night, No Answer,
Pass On The Road, W.C. I See, White On White El
Dorado
Keep On Rocking (best of)
J&B JB 180 1976
Alvin Purple, Boogie Queen, Class of '74, Every
Mother's Son, Fairweather
Friend, Gimme Gimme Good Lovin', Ginger Man, Heroes,
Keep on Rockin', Let
Go, Moonshine, Riverboat Lady, Show Me The Way,
Silver City Birthday
Celebration Day, Spring Hill Country Breakdown,
Sweet Rock 'n' Roll
Yesterdaydreams Interfusion
L36733 1978
Crazy Lady Of The Silver Spoon, Lonely Is The
Roadrunner, Long Time Till
The First Time, Next Time I See You, Ol '55, Pale
Fire, Send In The Violins,
Skating On Thin Ice, Thousand Different Ways,
Yesterdaydreams
Best of Brian Cadd Summit
SRA295201 1979
Budget reissue of Self titled 1972 LP
No Stone Unturned Graffiti 824668-1 1985
Included lyric sheet.
Angry Words, Home To Him, How We Gonna Make It,
Land Of The Video, Looking
At You, No Stone Unturned, Rainy Days, Some Kind
Of Love, Still Hurting Me,
Touch Of Your Hand, Writing's On The Wall
Blazing Salads
Blazing Salads (Brian Cadd and Glen Shorrock)
CD only: N/A N/A 1994
Between The Lines, Blazing Salads Cream, Capricorn,
De-Emphasise, Life Of
Brian, A Little Ray Of Sunshine, My Own Way Home,
Out Of Time, Shake The
Hand, Tear Down The Barricades, When It All Comes
Down, When The Words Come
Flying Burrito Brothers
One Way OW 30330 1994
Eye of a Hurricane (Available only on CD import)
Wheel of Love, Like A Thief In The Night, Bayou
Blues, Angry Words, Rosetta
Knows, Heart Highway, I Sent Your Saddle Home,
Jukebox Saturday Night,
Arizona Moon, Wild Wild West, Eye Of The Hurricane,
Sunset Boulevard, Smile
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